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[Autohome Shijiazhuang Discount Promotion Channel] Exclusively revealed that the high-profile luxury SUV model is undergoing a eye-catching promotion in the Shijiazhuang market. It is understood that car buyers can currently enjoy a cash discount of up to 173,500 yuan, which further reduces the actual price of the Audi Q5L, which originally started at 257,200 yuan, in the Shijiazhuang area. This is a good opportunity not to be missed. Consumers who want to seize this opportunity should not miss it. Be sure to click the "Check the car price" button in the quotation form to get a higher level of car purchase discounts.

The exterior design of the Audi Q5L is dynamic and elegant, with the iconic hexagonal air intake grille on the front face and delicate matrix LED headlights to create a sharp and technical visual effect. The overall lines are smooth and the proportions of the body are coordinated, reflecting the classic sporty style of the Audi family without losing the sense of luxury. The side profile of the body is powerful, highlighting the power aesthetic, allowing people to recognize its identity at a glance.

With its elegant body proportions and sleek line design, the Audi Q5L presents a unique side charm. The body size is 4770mm*1893mm*1667mm, and the wheelbase is 2907mm, providing an excellent layout for the interior space. The front and rear track are 1616mm and 1610mm respectively, ensuring driving stability. The Audi Q5L features 19-inch wheels with 235/55 R19-size tires, which not only enhances the appearance of the dynamic, but also ensures the grip and comfort of the ride.

The interior design of the Audi Q5L fully reflects the combination of luxury and technology. The exquisite leather steering wheel is comfortable to hold, and supports manual up and down + front and rear adjustment, providing the driver with a precise control experience. The 10.1-inch central control screen is a highlight of the car, which is clear and easy to operate. It integrates multimedia systems, navigation and phone functions, making it easy for the driver to access the information they need at any time. The seats are made of imitation leather, providing front and rear adjustment, backrest adjustment and multi-directional electric adjustment, including 4-way high and low adjustment, leg rest adjustment and waist support, to ensure passenger comfort. The driver’s seat is also equipped with a power seat memory function, which reflects the care of details. In addition, the front and rear seats are equipped with USB/Type-C ports, which is convenient for passengers to charge and data transfer. The seat heating function brings extra warmth to passengers during the cold season, while the proportionally reclined rear seats provide flexible space utilization.

The Q5L is powered by a 2.0T turbocharged engine with a maximum power of 140 kilowatts and a maximum torque of 320 Nm. The unit delivers 190 horsepower and is paired with a 7-speed wet dual-clutch transmission for a smooth and efficient driving experience.

Summarizing the owner’s evaluation, the Audi Q5L won his favor with its atmospheric appearance and sporty style, especially the addition of the new black kit, which allows him to enjoy personality and coolness during driving. The configuration of the large sunroof allows him to experience the comfort and romance of summer, and the spacious space also ensures the comfort of family travel. In terms of power, the owner said that it meets daily needs. Although it is slightly less dry at high speed, he is quite satisfied with the overall driving experience of the Audi Q5L. Looking forward to the future driving experience, this model can show more excellent performance and quality.

　　Introduction: With the vigorous development of the new energy vehicle market, major automakers have launched their own flagship products, striving to stand out in the fierce competition. As a high-end new energy brand under the group, Lantu Automobile has emerged among many brands with its deep technical accumulation and continuous innovation spirit. At the Chengdu International Auto Show in 2024, Lantu Automobile brought its latest high-end pure electric SUV, Lantu Zhiyin, which attracted widespread attention for its excellent performance, intelligent configuration and unique design concept. This article will delve into the pre-sale situation of Lantu Zhiyin and the significance behind it.

　　Lantu Zhiyin, as the fourth model under the Lantu brand, officially opened the pre-sale at the Chengdu Auto Show. The pre-sale price range is 209,900 yuan to 266,900 yuan. This price range not only reflects Lantu Automobile’s accurate grasp of market demand, but also provides consumers with more choice space. At the same time, Lantu Zhiyin also launched four preferential policies including deposit expansion, worry-free guarantee, enjoyment and priority pickup, aiming to attract more consumers’ attention and favor.

　　At the technical level, Lantu’s confidant is equipped with a new generation of pure electric platform independently developed by Lantu, and the application of this platform marks another important breakthrough in technological innovation for Lantu. The new car is equipped with a "985" TOP-level three-electric system, with a long cruising range of 901 kilometers, support for the global 800V high-voltage silicon carbide platform, and 5C super fast charging technology, which can achieve a 515-kilometer battery life supplement in 15 minutes, effectively alleviating users’ concerns about the battery life of electric vehicles.

　　In terms of intelligence, the performance of Lantu Zhiyin is also eye-catching. The vehicle is equipped with a 15.05-inch OLED curved edge sliding screen and a Qualcomm 8295 chip, which makes the operation of the infotainment system smoother and the display effect more delicate. It is worth mentioning that Lantu Zhiyin also provides an intelligent electric small table board, which further enhances the convenience of the ride experience. In addition, the vehicle is also equipped with a NOA high-speed pilot assistance system, which can complete complex operations such as automatic up and down ramps and optimal lane selection, making driving easier and safer.

　　In terms of design, Landu’s bosom friend is also original, using two different front face designs to show different styles, and at the same time borrowing from the design elements of the aircraft to make the overall shape look dynamic. The body structure adopts the world’s leading 2000MPa grade ultra-high strength material to ensure the safety of the vehicle. In terms of battery safety, Landu’s bosom friend is equipped with a new generation of amber battery 2.0, which has undergone a number of strict tests to ensure the safety and durability of the battery.

　　Conclusion: The appearance of Lantu Zhiyin at the Chengdu Auto Show is not only an important milestone in the development of the Lantu brand, but also injects new vitality into the Chinese new energy vehicle market. Through its excellent technical strength and design concept, Lantu Zhiyin provides users with a more comfortable, intelligent and safe travel experience, and is expected to become a dark horse in the high-end pure electric SUV market. Lantu Automobile CEO Lu Fang once said that Lantu Zhiyin will be an important representative to demonstrate the strength and responsibility of Chinese brands, which also indicates that the Lantu brand will continue to demonstrate the charm of China’s new energy vehicles on the global stage. With the successful pre-sale of Lantu’s confidant at the Chengdu Auto Show, we can expect that in the future, Lantu’s confidant will bring high-quality travel enjoyment to more users, and also help Lantu’s further expansion and development in the global market.

Recently, FAW-Volkswagen’s new generation Maiteng MIIT declaration map has attracted widespread attention. It is reported that FAW-Volkswagen’s new generation Maiteng will be unveiled at this year’s Beijing Auto Show and is expected to be launched within the year.

After 8 generations of inheritance, carrying 50 years of time, Maiteng has become one of the most popular B-class cars, attracting more than 34 million users around the world, and is also sought after by more than 2 million riders in China, continuing to create their own legend.

The new generation of Maiteng styling design is from the hands of the current public exterior design director and legendary designer Marco Pavone, adhering to the creative concept of "Timeless" beyond time, and continuing to write timeless classics with exquisite attainments. The new generation of Maiteng is like a perfect sculpture work, smooth and dynamic, elegant and calm, full of vitality and emotion. It is another classic masterpiece after the classic Maiteng of previous dynasties.

The new generation of Maiteng front face design is simple and concise, with a three-dimensional design that runs through, with smooth lines and clear contours; the headlight design takes into account aesthetics and function, and the LED light source with a full sense of technology blooms a more eye-catching "fire color". The front bumper is three-dimensional in shape, with a prominent sense of hierarchy, presenting a new visual impression of simplicity and atmosphere.

The new generation of Maiteng side adopts a more modern slip-back C-pillar design, with smooth curves and tension, resulting in a more slender and elegant posture; its shoulder design draws on the design language of the luxury model Touareg, using fuller and smoother lines to connect the front and rear wheel arches, enhancing the luxury temperament; the new sports wheel rim adopts an aerodynamic design, which is more dynamic and fashionable, adding more vitality and charm to the vehicle.

The new generation of Maiteng tail adopts a three-dimensional "duck tail" design, showing a dynamic atmosphere of movement without losing elegance; the unique X-shaped through-type tail light has a high degree of recognition, and the internal three-dimensional hierarchical matrix design not only ensures the safety of the night, but also highlights the full sense of high-end; with chrome decorative tape and reflection film, the layered sense of the tail is richer and more three-dimensional.

"No magic change, no compromise" is the base color that Maiteng has adhered to in previous generations, and it is also the secret of its longevity. In the 17 years of entering China, Maiteng has always ranked C in both C-NCAP/CIASI crash tests and user experience surveys, and has become an irreplaceable car in the hearts of consumers. The new generation of Maiteng inherits the original German quality, and firmly maintains the standard of prototype cars in terms of powertrain, chassis tuning, electrical architecture, and body structure, bringing a product experience that far exceeds expectations.

Successive breakthroughs show true strength, and generation leadership is true leadership. Innovation breakthroughs and generation-by-generation technology leadership have made Maiteng go beyond simple travel tool attributes and become a legendary classic in the minds of consumers. Since its listing, Maiteng’s cumulative sales have exceeded 2 million vehicles, and the legendary road has reached a new realm. The new generation of Maiteng will rely on its consistent innovative concepts and ultra-high standards, strictly abide by the principles and beliefs of German high quality, and once again contribute a classic masterpiece that can stand the test of time to the Chinese market. On the benchmark, reshape the benchmark.

　　　 As the only Chinese film shortlisted for the main competition unit of this year’s Venice Film Festival and highly praised, on September 29, the film co-starring Andy Lau, Deng Chao, Li Bingbing, Carina Lau, and Leung Ka Fai landed in mainland cinemas to seize the National Day schedule. From October 8, Taiwan will also welcome the film’s full release. The grand and mysterious scenes in the film, interlocking suspense, tense and exciting fights, reveal Xu Hark’s classic style everywhere, and the mainland actor Deng Chao joined the film, and he had to love the director Xu Hark for the first time. Not only was the shape created by Xu Hark, but the role in the film was also close to the male number one Andy Lau, and the detective trio composed of Di Renjie and Jing’er. The literary and martial arts are quite outstanding, and they are the most distinctive among the already strange and stunning shapes, and are expected to become a classic character in Xu Hark’s works. After the film was released, Deng Chao’s white-haired Pei Donglai did gain a lot of praise, and netizens discussed Deng Chao’s acting skills, calling it the biggest highlight in the film. And Deng Chao was interviewed to decipher Pei Donglai’s three most important.

The most beloved is added

　　　 Pei Donglai was a "little follower" in the original script. When Deng Chao talked about this thin character, he was very emotional that he and Director Tsui Hark worked together to make this character richer and richer, so that the audience could see Pei Donglai now. "He originally followed Di Renjie’s little follower, and there weren’t many scenes, so when I started making the look, I was also very puzzled, why did such a character have to be made white. But slowly, I understood Director Tsui Hark’s idea and slowly got to know this character. I really appreciate Director Tsui Hark’s ideas for this character later, giving Pei Donglai a lot of equipment and a lot of meaning, so that this character can be so three-dimensional." But in fact, Deng Chao is such a person who constantly pursues challenges and innovations in his performances. Everyone who has worked with him knows that he shoots on the spot. Deng Chao often has the 101st performance method after 100 performances, and he will constantly think about making his performances more choices for the director. Therefore, in "Di Renjie’s Heavenly Empire", his wonderful performance was respected and recognized. After the film ended, Director Tsui Hark asked Deng Chao to shoot a three-day drama alone, adding scenes for him, and because he especially appreciated Deng Chao’s martial arts performance, he filmed a lot of fighting parts. "Now in the movie, in a fight between the ghost market and the fake imperial master, I flew to the fake imperial master and asked him, ‘Aren’t you going to be a doppelganger? "Divide", this paragraph was also added during the re-shoot. There were no lines at that time. I said can I add such a sentence? Director Tsui Hark said yes. So now there is such a presentation. I think this line not only makes the scene with the sound of weapons hitting a little bit of a live reaction, but also highlights that Pei Donglai is really ruthless and very eager to kill the enemy. "

The most helpless feelings are deleted

　　　 In "Di Renjie’s Heavenly Empire", many viewers said after watching that the emotional scenes of several main characters were entangled and chaotic, Di Renjie and Empress Wu, Empress Wu and Jing’er, Di Renjie and Shatuo, Di Renjie and Pei Donglai, Pei Donglai and Jing’er… The intertwining was complicated and dazzling. Among them, in addition to the passionate scene between Di Renjie and Jing’er, Pei Donglai’s sacrifice to save Jing’er also seemed to tell the audience that Pei Donglai was interested in Jing’er. However, because Pei Donglai was dedicated to handling the case, he was framed and sacrificed early, which made the relationship between the two die without any trouble. But Deng Chao said, "This paragraph has been deleted. In fact, Pei Donglai and Jing’er have a relationship. During the filming, when Wu Zetian gave up Di Renjie and didn’t let him handle the case, Empress Wu actually handed the case to Pei Donglai. There was a scene where Pei Donglai and Jing’er led the horse on a date one night. That scene was quite interesting. I remember that the horse we led was quite ambiguous. At that time, Pei Donglai confessed to Jing’er. This scene was deleted, and later I also asked the master, and the director said, ‘Sometimes there are things that happen, and there is no need to say it.’ I think it’s quite right. " Although Pei Donglai did not have too many emotional scenes in the film, his kind of affection for Di Renjie and his care for Jing’er already made people feel the strong emotion of this character, which echoed the dreaded albino shape. "His coldness, his darkness, his murderous aura is very heavy, the sense of distance will not hinder his warmth, and there is also a slight cuteness." Deng Chao talked about Pei Donglai, obviously loving the character he created very much.

The most expensive special effects are burned to death

　　　 Even though Pei Donglai was a ruthless character in the film with high martial arts skills, the ending of Pei Donglai was extremely sighing. After finding the clue to the breakthrough in the case, he was plotted by the enemy, encountered misfortune, and was burned to death in front of Di Renjie. This plot makes people strongly feel that Pei Donglai does not give up on the truth, especially the hint to Di Renjie when his body is almost gone, which not only makes people cry, but Pei Donglai’s death makes Di Renjie’s face even more lonely. "The scene of Pei Donglai being burned to death was actually the kind of sympathy between men, that kind of manly and strong spirit. I think Pei Donglai is a hero." Watching the movie, attentive viewers would find that Pei Donglai’s death was different from the deaths of the two adults in front of them. The scene of Pei Donglai being burned to death was more detailed, and the last cry was even more heartbreaking and very sad. Talking about this scene, Deng Chao smiled and said, "It was very difficult, it was difficult during the performance, and it was difficult during the dubbing. Fortunately, they told me later that the special effects of your burnt to death were the most expensive, and the effect was very detailed. It turned out that I had the’most expensive ‘role (laughs) " Dubbing this scene was also an unforgettable scene for Deng Chao, "because what is expressed in the film is burning out of the body, what does it feel like to burn out of the body? This is definitely different from how we usually get burned and burned. How to shout out this kind of pain? At that time, I really communicated with Chen Guofu for a long time, and later he joked that you can just shout with a voice that is not a human voice. After dubbing, I really can’t shout a human voice, they heard outside the recording studio that it feels good. "Deng Chao, who is dedicated and serious about the performance, will not let go of any details, even if a dubbing, he is so careful, which shows that he is responsible for the performance, which is why his step-by-step road to the big screen is so solid. Even such a cold and murderous person will make the audience feel pity. It is difficult to distinguish between people in the film, but Pei Donglai is just a victim who died before his birth. Deng Chao’s big-screen performance can be described as good, with a gorgeous turn and a powerful transformation. It is also a creative boutique inspired by Director Tsui Hark.

[Movie Network]www.1905.com　Exclusive manuscript, please indicate the source when reprinting.

The golden lock armor is in the body, and the golden hoop is in the hand,protagonist""Monkey King" embarks on a wonderful and attention-grabbing adventure in the 3D game world.

The above scene is from "Black Myth: Wukong", which is the first domestic production3A game works were released globally on Tuesday.

The outside world believes that while the final commercial performance of the game remains to be seen, the release of the game has signaled that Chinese game developers are making inroads into the long-term dominance of the Western worlddominant3AThe gaming market.

so-called3A, that isWith high development costs, long development cycles and high investment in resources, this type of game is usually characterized by high quality and high volume. Although China’s mobile game industry is in its heyday, 3A games are still in their infancy. Currently the market is dominated by overseas companies, representative works include "Assassin’s Creed" (Ubisoft – France), The Legend of Zelda (Nintendo – Japan), Elden Ring (FromSoftware – Japan), GTA 5 (Rockstar Games – USA), and more.

In Tokyo, Japan, people queue up to buy the Legend of Zelda: Tears of the Kingdom game

In this context, the production cycle"Black Myth: Wukong", which has been more than 7 years and cost hundreds of millions of yuan to develop, is burdened with ""Milestones in China’s Game Industry"

After going live, the game has also lived up to expectations and has been called"Global Hot".The first day becameSteamThe game with the highest number of people online on the platform,online audienceexceed200.Million, leading the long-term top spot"Dota 2".

according toDexertoWebsite introduction,Only on the first day of publication,"Black Myth:WukongJust becomeSteamThe single-player game ever releasedonlineThe game with the most players.According to past data, the number of people online at Elden Ringhighestabout97ten thousand,"Cyberpunk2077"About100ten thousand…

The world’s largest gaming entertainment mediaIGNPublished an evaluation article saying:"I’ve never been so blown away by a game like Dark Myth: Goku", and gave affirmation from the perspectives of picture production and cultural connotation.

Game reviewer Kazuma Hashimoto(Kazuma Hashimoto)Praise, the game from the integration of traditional Chinese beauty to a variety of highly unlockable ink illustrations, all reflect the good intentions of the production team…

The game is based on "Journey to the West" and tells the story of players playing"Destiny"In order to uncover the truth of the legends of the past, we embark on a journey to the west full of danger and surprises.

But overseas players who are unfamiliar with Chinese classics have raised questions online:"Why can WukongwillGolden hoophideenterear"," What is a gourd "," What is the difference between a monster and a devil ", etc. As the problems gradually increased, extranet launched a wave of popular science targeting Chinese culture.

IGNPost an article soon,Answer for readers"Who is Sun Wukong", "What are monsters and dragons", "What elements of Journey to the West are in the game" and other questions.

IGN published an article titled "This knowledge will give you a better experience of’Black Myth: Goku ‘"

In the topic of "Black Myth: Wukong", many users even began to make their own golden hoop sticks, which attracted a lot of praise from the community.

There are also players who incarnate as spokespersons for the four famous novels, inTikTokRecorded video recommended byLan Shiling, professor at Birkbeck College, University of LondonThe translated English version of "Journey to the West"; some netizens posted thatWhat is it?"I know many of you are familiar with an arcade game.Monkey Magic"But I also recommend everyone to take a look."86The version of "Journey to the West" is really beautiful."

A blogger recommends the English version of "Journey to the West"

But amid the cheers, there are also comments about "persuading people to quit" due to the difficulty factor.

In terms of gameplay design, the game does not have the option to choose a difficulty factor, so all players can only choose"Bite the bullet" and play to the end. On YouTube, some players "started playing during the live broadcast.10Seconds are seconds ", and many other players called the game" hell-level difficulty for beginners ".

YouTube users say a lot of people say gaming is hard

In addition, IGN pointed out some technical issues with the game, such as high memory and computer configuration requirements."Although I usedGeForce RTX 4090Made top-level settings, but still encountered multiple system crashes on the PC side. "

In addition, some overseas players encountered situations where the language was automatically switched from English to Chinese, audio and subtitles disappeared during the experience, and some pointed out that the game"Flashback problems occur frequently"Frame rate will drop intermittently and get stuck"…

However, many reviewers also describe the above issues as powerful stories and beautiful pictures"Defect". For the above problems, game developers are also advising on the official website, suggesting that players canRestart the computer and shut down non-essential softwareOr install the latest graphics driver.

(Edit email: ylq@jfdaily.com)

　　On March 23rd, Huawei’s spring flagship new product launch was held. Yu Chengdong, executive director of Huawei, CEO of Consumer BG, and CEO of Smart Car Solutions BU, spoiled a lot of information about Huawei’s automotive business. At this release, Yu Chengdong still positioned the Wenjie model with "far ahead", and said, "The net promoter score of Wenjie owners is as high as 86.4%, leading traditional luxury brands such as Mercedes-Benz and BMW; Wenjie ranks first in quality among all brands, higher than all car companies, and has a spontaneous combustion rate of 0."

　　In order to break through in the "inner volume" of the industry, Yu Chengdong announced that all models of Wenjie will upgrade the intelligent cockpit system Hongmeng HarmonyOS 3, and Quarter 1 will be pushed in batches in 2023. As a high-frequency touchpoint with the owner, the intelligent cockpit directly determines the experience a car brings to consumers to a certain extent. Whether it is the interaction pattern, physical space, sound, light, display, upgraded interior, or multi-screen design, HUD head-up display, streaming media rearview mirror, etc., it will bring a distinct differentiated experience for drivers and passengers, quickly grab consumers’ attention, and improve the competitiveness of the model.

　　At this press conference, Huawei also gave a detailed introduction to the details of the upcoming HarmonyOS 3, such as functions such as super desktop, PC collaboration, smart car search, Xiaoyi reminder, Xiaoyi no-wake-up and HUD highly adaptive adjustment, and added the main driver privacy mode. In addition, Yu Chengdong revealed that the high-end intelligent driving version of the two cars, Wenjie M5 and Wenjie M5 EV, will be released in April. It is worth noting that compared with the experience of Hongmeng cockpit, the level of intelligent driving ability of the previous Wenjie M5 has not reached the forward-looking position of the industry. And Yu Chengdong believes that "the two high-end intelligent driving versions released in April will bring an’unprecedented ‘intelligent driving experience."

　　The biggest advance for the Q & A M5 and Q & A M5 EV high-end intelligent driving versions to be released, whether from the teaser pictures or from the road test spy photos that have appeared before, is that the new car will be equipped with Huawei’s lidar and its corresponding auxiliary driving system, which will have the ability to pilot driving in urban areas, and does not rely on high-precision maps. "The update of high-precision maps is too slow, and the speed of obtaining them from city to city is too slow. We even have to toss a small road in Shanghai for a long time," Yu Chengdong said. Some analysts believe that in the implementation of the current urban navigation assistance driving system, there are two advantages to not relying on high-precision maps: one is to directly avoid the limitations of policy approval brought by high-precision maps, so that the plan can be quickly landed in more cities; the other is to directly subtract the cost of high-precision maps. After no longer relying on high-precision maps, the greatest convenience is that more urban users will be expected to experience the pilot assistance driving function in the urban area earlier and synchronously.

　　At present, there are three main models for Huawei’s smart car business, namely the parts supply model, the HI model and the Huawei Smart Choice model. Previously, only the HI model models were equipped with Huawei’s intelligent driving system. With the release of the high-end intelligent driving version of the M5 and M5 EV, the Qinjie series began to gradually carry Huawei’s intelligent driving system. In order to further enhance the sales and product power of Qinjie products, on the one hand, Yu Chengdong himself is increasing his investment in the Huawei Smart Choice model; on the other hand, Huawei has further strengthened its involvement in the Qinjie brand in publicity. Previously, the official account of AITO asked the world, together with all official communication pages, replaced the communication content with "HUAWEI asked the world", and at this press conference, Yu Chengdong also directly used the expression "Huawei asked the world".

　　HUAWEI is Huawei’s eco-car brand and a new business model pioneered by Huawei. This model can not only help car companies achieve commercial success, but also drive the large-scale sales of Huawei’s smart car parts. Huawei’s auto business is moving towards an accelerated stage. (HUAWEI asks the world, for pictures)

1905 movie network feature 　With the go LIVE of "Little Joy", after three years, the "Tongyuan CP" composed of Haiqing and Huang Lei successfully swiped the screen again.

Douban scored 8.0, surpassing the 7.8 score of the previous "Little Separation", which is expected to once again set off a wave of national discussions on family relations and children’s education, and this wave of discussions may not be limited to domestic borders.

On June 7 last year, the sister installment of "Little Joy", "Little Separation", was broadcast on the prime channel of the Mongolian ASIAN BOX film and television channel, surpassing many Korean and American dramas to reach the top of the audience rating list. The educational topics reflected in the series not only hit the "pain points" of Chinese families, but also resonated with Mongolian audiences.

The upcoming word-of-mouth drama "Twelve Hours in Changan" has also successfully "gone overseas" to Japan, Singapore, Malaysia, Brunei, Vietnam and other countries, and has also been launched in North America in the form of "paid content" on online platforms such as Viki, Amazon, and Youtube. This is the first time that domestic dramas going overseas have entered the monthly subscription payment area and achieved quasi-simultaneous playback at home and abroad.

"Twelve Hours in Chang’an" overseas poster

Now,"Chinese dramas go overseas" – the overseas distribution of high-quality domestic dramas has become the norm, not only with more diverse genres and themes, but also with expanding international influence.

From the "Journey to the West" of that year to the current "Twelve Hours in Chang’an", what new trends have been shown in "national dramas going to sea", and what new requirements have been put forward for creators and propagandists?

The types of subject matter are becoming increasingly diverse 　"National drama going to sea" has become the norm

The history of "Chinese dramas going to sea" has a long history. Early classic costume dramas such as "Journey to the West", "Romance of the Three Kingdoms", "Kangxi Dynasty" and "Huanzhu Gege" can be regarded as the first echelon.

The 86 version of "Journey to the West" was first popular in South East Asia countries such as Myanmar, Vietnam, and Thailand. It has a score of 8.8 on the foreign film review website IMDB, and is still discussed by overseas audiences. Historical dramas such as "Romance of the Three Kingdoms" and "Kangxi Dynasty" have been very popular in Japan and have been rebroadcast on Japanese TV many times.

In 2010, "The Beautiful Times of Daughter-in-law" was "exported" to Tanzania, causing a heated debate. Later, more than 40 domestic dramas such as "Struggle", "My Youth", "Beijing Youth" and "Durala’s Promotion" were also translated into local languages and broadcast in 46 countries including Kenya, Egypt and Zambia.The theme and genre of "Chinese drama going overseas" began to be not limited to costume dramas, and urban emotional dramas could also have a place.

In 2015, "Empresses in the Palace" officially landed on the international streaming platform Netflix, becoming the first domestic drama to be paid to be broadcast on the platform. It is considered a milestone event in the history of "national dramas going overseas".

"The Beautiful Times of Daughter-in-law" "Langya Bang" "Empresses in the palace" Overseas Edition Poster

In 2018, three high-reputation online dramas, including "White Night Chasing the Murderer", "River God" and "Undocumented Crime", went overseas one after another, creating a precedent for the export of domestic online dramas. The recent "Twelve Hours in Changan" has also achieved quasi-simultaneous broadcast on overseas platforms and domestic online platforms on the basis of "paid" broadcast.

In the early 1990s, the overseas marketing of domestic dramas was mostly concentrated in more than 10 countries and regions such as South East Asia, Japan and South Korea. Today, the export of domestic dramas has spread to more than 100 countries and regions.

According to Zhang Lina, editor-in-chief of Alibaba Entertainment Youku, Youku has sent more than 50 copyrighted content overseas in the past two years, and in the first half of 2019 alone, there were nearly 10. "Going overseas has become the norm."

It is not difficult to see from the above example thatDifferent countries and regions have different preferences for domestic drama genres and themes.

From 2013 began to test the waters of domestic drama overseas distribution, there are "Langya Bang", "choose heaven", "love" and other more than 500 episodes overseas distribution experience of Century Youyou company overseas distribution director Zhang Chunlan told Xiaodian Jun, in Japan, South Korea and South East Asia, costume drama, life drama affected by geographical factors, a high degree of acceptance; while in North America, suspense detective theme is very popular.

Century Youyou was responsible for the overseas distribution of "Love"

"Chinese kung fu and ancient martial arts have always been popular in overseas markets, but with the increasing number of Chinese dramas going overseas, the types are becoming more diverse, and some overseas audiences have also developed the habit of chasing Chinese dramas. Sweet pet love dramas and modern suspense dramas are also becoming more and more popular. The current upsurge in realistic themes in the drama market will also play a positive role in the development of overseas audiences," Zhang Chunlan said.

Balancing Chinese stories with global expression 　Reality themes will see an upsurge

The 30-year journey of Chinese opera going overseas has accumulated and cultivated a large number of overseas fans, and has also continued to expand the overseas influence of Chinese culture. However, in the midst of a boom, "Chinese opera going overseas" still faces some difficulties.

The main export markets of domestic film and television dramas are still concentrated in South East Asia and Chinese-speaking regions, and overseas Chinese are still one of the most important audience groups.

The price of a single episode exported from China is still relatively low, and the lead drama is only a few tens of thousands of dollars per episode. Producer Tang Lijun has revealed that in the Japanese market, the price of a single episode of an American drama may reach 1 million US dollars, a Korean drama may be 200,000 US dollars, and a Chinese drama may sell well for tens of thousands of dollars.

Japanese version of "Hua Qiangu" promotional video Flower

There are many reasons for these difficulties. First, "the current problems in overseas distribution are mainly caused by differences in language and culture." Zhang Chunlan analyzed.

Due to its geographical relationship and cultural proximity, Asia has a close relationship with Chinese culture, making it a natural main market. However, mainstream audiences in Europe, America and other regions are still relatively unfamiliar with Chinese culture, and their language and cultural barriers are relatively high.

In addition,The viewing habits of overseas audiences are also different from those of domestic Chinese audiences.Foreign audiences are more inclined to small-scale works of about 20 to 30 episodes per season, and China’s 70 to 80-episode volume and relatively slow narrative rhythm will inevitably appear "acclimatized" in the process of overseas distribution.

Take "Empresses in the Palace" as an example. When Netflix launched, not only did the length of the original 76 episodes be reduced to 6 episodes, each episode was 90 minutes. The lines lost their original charm after translation.

In the end, the word-of-mouth Chinese drama with a score of 9.1 on Douban only received a 2.5-star review on Netflix. The large number of classical Chinese lines in "Twelve Hours of Changan" also posed no small challenge to translation.

The reason why suspense dramas produced by online platforms such as "White Night Chasing" and "Crime Without a Certificate" are favored by Netflix is precisely because they refer to the shooting techniques and narrative rhythm of American dramas in the script, shooting and editing stages, and are relatively close to the viewing habits of overseas audiences.

In the comments of "Twelve Hours of Chang’an", "fast pace" and "large amount of information" have also become the keywords of many foreign audiences.

At this year’s Shanghai TV Festival "National Drama Going Overseas" related theme forum, Fu Binxing, president of Huace Film Company, said:Whether to use editors who understand local needs, accurate translation and localized promotion and marketing will all affect the quality of Chinese dramas "going global".

In addition to the above points,The quality of the series is still the core factor that affects the success of the overseas distribution of domestic dramas.Whether it is the early "Huanzhu Gege", "Journey to the West" or the recent "Langya List", "White Night Chasing", "Changan Twelve Hours" and other dramas, the success of "going to sea" is backed by excellent production standards.

The current hit "Twelve Hours in Changan" Douban scored as high as 8.6 points, and it also reached 9.5 points after the launch of the overseas video platform viki.

The series is quite elegant from the story, lines to the service of the Tao, focusing on the "Tang style ancient rhyme", and the shooting method and narrative rhythm are very international. The use of "long shots" is quite skilled, and the suspense action elements are also very suitable for overseas audiences. It has found a good balance between the level of industrial production and the dissemination of traditional Chinese culture.

Xie Ying, general manager of Youku Drama Center, the producer of "Twelve Hours in Changan", believes that the challenge for domestic dramas to really go global is to break the inertia of themes and stories."The most important thing for domestic dramas to really go global is to explore the diversity of themes, the youth of stories and the internationalization of audio-visual language."

In the past two years, the popularity of a number of TV dramas such as "All Good", "Ice Breaking Action" and "Little Joy" has set off a creative boom in realistic themes.How to enhance the international influence of China’s realistic film and television works, let foreign audiences touch the real contemporary China, and use common values to transcend national borders to resonate will also become a new trend of "national dramas going overseas".

No matter in terms of quantity or quality, domestic TV dramas have ushered in the golden period of "going to sea". "Twelve Hours in Changan" and "Little Joy" are just the beginning. I look forward to the future batch of high-quality domestic dramas with both "Chinese stories" and "world expressions" continuing to go abroad and send out China’s cultural voice to the world.

　　　　　　　 On February 16 local time, the 60th Berlin Film Festival entered its sixth day of competition. The competing films on the day included the Turkish film "Honey" and the Iranian film "Hunter". But these two films suffered from "ice and fire" treatment in Berlin. The aftermath of "Three Guns Shooting Surprise" released a few days ago has been continuous. The source of the film adaptation, the Coen brothers, said that after watching "Three Guns", they laughed continuously and expressed the hope that Zhang Yimou would remake all their works.

　　　　　　　 In the evening, the Berlin Film Festival officials also organized a "Taiwan Night" banquet, which was attended by all the Taiwanese filmmakers who came to Berlin. Among the most famous ones were director Niu Chengze and the three protagonists of the film "Monga". Due to the popularity of "Monga" in Taiwan, director Niu Chengze naturally received more attention. At the end of the banquet, Jackie Chan also came to the scene to add to the party.

"Taiwan Night" in Berlin

　　　　　　　 The "Night in Taiwan" banquet is the official promotion of Taiwanese films at the three major European film festivals, which has been maintained for many years. Compared with previous years, this year’s promotion was more casual and not as serious as the usual official promotion. The Taiwanese filmmakers attending the banquet included Niu Chengze, director of "Monga", starring Zhao Youting, Ethan Ethan and Feng Xiaoyue, director of "One Day" Hou Jiran, starring Zhang Shuhao and Xie Xinying, director Chen Junlin of "One Page Taipei" and starring Guo Caijie. In addition to them, they also included Hong Kong directors Luo Qirui and Zhang Wanting, and famous Asian film researcher Tony Raines. Due to the high box office of "Mengka" in Taiwan and the appearance of three handsome guys, the director Niu Chengze naturally gained more attention. However, Niu Chengze played a trick in the questioning session and did not say any substantive words, which is a bit regrettable.

　　　　　　　 In the final part of the banquet, Jackie Chan appeared in a Tang suit, which became the biggest highlight of the night. Chan immediately communicated with Niu Chengze after his arrival, and said that he would definitely go to the cinema to see the film. When talking about the current state of Chinese-language films and Taiwanese films, Jackie Chan expressed his grief as always for the passing of the golden age of Chinese-language films in the 1980s. He called on "Taiwan’s new filmmakers to work hard to revive Taiwanese films," and he added, "Filmmakers from both sides of the Taiwan Strait and three places must be united and unified to the outside world, and we may win."

The 73rd Cannes Film Festival was originally scheduled to be held from May 12 to 23

1905 movie network feature "We have a tradition that Cannes is the first sign of summer."The artistic director of the Cannes International Film Festival, Fermat, recently expressed the hope that the epidemic will end as soon as possible in mid-May, and the festival will be held as scheduled from May 12 to May 23. But judging from the current situation, such an idea is too optimistic.

In addition to Cannes, several recent film festivals originally scheduled to be held in March, April and May have been postponed or cancelled,Including the French Real Film Festival, the South by Southwest Film Festival, the Tribeca Film Festival, and the Miami Film Festival.So far, the official statement of the Cannes Film Festival Organizing Committee is:The cancellation or postponement will not be announced until at least April 15, the eve of the announcement of the entry list.

Why is Cannes still "struggling"?

It was first rumored to be because of the insurance premium. If cancelled, a French insurance company could compensate 2 million euros, but the organizing committee of the Cannes Film Festival has refused. However, this year’s festival’s operating budget is 32 million euros, which is not a big deal for Cannes.The president of the festival, Pierre Lescule, also said that even if it is cancelled, it will have little impact on the financial operation of the festival itself, because the festival has certain reserves and fund support.

Cannes Artistic Director Fumau (left) and President Lescule (right)

The main reason is still to go back to the movie itself.

As one of the largest international film festivals in the world, there are not only red carpets and starlight, but also hundreds of new films from all over the world participate in competitions and screenings every year, especially for art films, where you can enjoy large-scale international exposure and discussion.

Last year, for example, Diao Yinan’s directorship and Hu Ge’s starring role were shortlisted for the main competition, and the new director’s work also received praise in the parallel section. With the help of the Cannes platform, these new Chinese-language films first earn enough popularity overseas, which is also good for the promotion of their release in China.

At the same time, thousands of films are also traded in the Cannes Film Market for international sales of copyrights and distribution every year.For example, Jia Zhangke’s works in 2015, which were shortlisted for the main competition unit in Cannes that year, cost about 40 million yuan, and the cost has been recovered through overseas copyright sales on platforms such as the Cannes market on the eve of domestic release.

2019 Cannes Film Palace

The entire Cannes Film Festival team is still working on contingency measures, such as limiting the number of spectators in cinemas and other venues. But the French government has announced a law-wide ban on gatherings of more than 100 people.According to statistics, the Cannes Film Festival attracted about 60,000 participants every day last year. If the ban continues until May, how can the festival scale down the event to meet the standards? Then how many people are willing to take the risk to participate in the event?

If cancellations are confirmed, a number of international studios and agencies have also agreed to jointly create an online marketplace in early May, including promoting new films to buyers, showing flowers or samples, etc. However, such remedial measures will still affect market transactions.

The Cannes International Film Festival has been cancelled three times since its first edition in 1946.It was suspended in 1948 and 1950 due to financial difficulties, and in 1968 due to the impact of the "May storm", when Truffaut, Godard and other French New Wave directors jointly blocked the screening of the film, and the festival was forced to suspend.

Directors such as Truffaut and Godard block Cannes film screening

Half a century later, the number of new films produced has increased sharply year by year. If it is cancelled this year, it will be difficult for many films originally scheduled to appear in Cannes to compete with other new films and squeeze into subsequent film festivals, such as the Venice and Toronto film festivals. If it is postponed, it will be difficult for Cannes to find a suitable time to resume.

So the question of what to do now is to point the debut stage to Cannes or other major films at festivals that have been postponed or cancelled.

Chinese Discourse

First of all, from the perspective of Chinese films, there are three major directors’ new works poised for release:Xu Anhua’s, Tian Zhuangzhuang’s and Zhang Yimou’s.

Adapted from a classic novel by Zhang Ailing and starring Ma Sichun and Peng Yuyan, "First Incense" has attracted much attention in the industry. The film was completed in mainland scenes at the end of July last year, and its first stills were also exposed at the Berlin Film Festival at the beginning of the year.

Xu Anhua’s work has never been shortlisted for the Cannes Film Festival, but judging from her past experience in other film festivals,"First Incense" is more likely to go to the Venice Film Festival.

"The First Incense" Peng Yuyan stills

Tian Zhuangzhuang’s "Birdsong" was completed in January this year. This is his new work after a decade of absence from directing. In addition, the film is adapted from Acheng’s novel "King of Trees", and the other two "Three Kings" novels have been adapted into movies, so the outside world has high expectations for this film.

Last year, Tian Zhuangzhuang brought his old 1988 film to the Cannes Classic Restoration Unit, and Fu Mao personally presided over the pre-screening activities. According to this friendship,If the quality of "Birdsong" is reliable, the Cannes Film Festival will not be cancelled, and it is very likely to be selected for a certain section.

Director Tian Zhuangzhuang

"Solid as a Rock" has been submitted for review after the National Day last year, but there has been no release news."Solid as a Rock" is Zhang Yimou’s first attempt to shoot a police and bandit action movie. According to the director himself, the film’s screen is very unique and has the cold style of a modern city.

The last time Zhang Yimou went to Cannes was in 2014 with his participation in the screening. "Solid as a Rock" has been in the confidential stage, and it is still unknown whether it has been delivered to the film festival. His next new work was still filmed in the Northeast Snow Township at the end of December last year, and there is no news on whether it was stopped by the epidemic.

Mai Junlong directs the works that are currently the most highly anticipated in the industry and are headed for Cannes or other international film festivals.The starring lineup is super luxurious, and it gathers powerful actors such as Takeshi Kancheng, Liang Jiahui, Liu Qingyun, Koo Tianle, and Gao Yuanyuan. It was cut at the end of July last year, and it is said that the amount of post productin is very large.

Director Zhang Ming was shortlisted for the 2018 Cannes Film Festival Director’s Fortnight, his new love suspense film"Hot Soup."Then it appeared in the trading market of the Berlin Film Festival at the beginning of the year, and it should continue to move towards other international film festivals.

Mei Feng won the best screenplay in the main competition at Cannes, directing a new work"Love Song 1980"Starring Li Xian and Chunxia, some samples were completed last year, with a strong literary temperament and the opportunity to participate in Cannes. And the new director works starring Wan Qian and Huang Jue"Rabbit Violence"It is also expected by the industry. Will it be the next "Spring River Plumbing" to go international?

Sino-Japanese co-filming and also want to find its audience through Cannes or other international film festivals."Yanagawa" was completed at the end of January this year, starring Ni Ni, Zhang Luyi, Xin Baiqing, Ikimatsu Zhuangliang, Nakano Yoshiko, etc. Director Zhang Lu is a regular at major film festivals.

"Yanagawa" stills

The film "Nara Again" about an old Chinese woman looking for a Japanese orphan and adopted daughter is produced by two directors, Jia Zhangke and Kawase Naomi. As old friends of Cannes "direct", it is not unreasonable for them to support the new director Peng Fei to enter Cannes.

In addition to these new Chinese films, Wong Kar-wai’s classic this year coincides with the 20th anniversary of its release. The film had its world premiere in the main competition section of the 2000 Cannes Film Festival, and Tony Leung also won the Best Actor Award.

Cannes officials previously announced that the 4K restored version of "In the Mood for Love" will be unveiled in the classic restoration unit, and Wong Kar-wai will also attend the screening.If the Cannes Film Festival is cancelled, the 4K restoration of "In the Mood for Love" will have to find the next premiere platform.

Overseas

For overseas films, several blockbuster new titles from Asia, Europe, and the United States have long been locked into the main competition at Cannes.

Wes Anderson’s is similar to last year’s, but the stars will be brighter,With Bill Murray, Tilda Swinton, Francis McDormand, Leia Seydoux, Sweet Tea, Saoirse Ronan and dozens of other internationally renowned actors co-starring, no film could be more suitable for the opening of the Cannes Film Festival.

"Mission to France" stills

French director Leo Carrax’s previous film was recently selected as one of the 10 best films of the 2010s by the Cinema Handbook.His new film, Annette, is a musical and his first English film.Starring Adam Driver and Marion Cotillard, it is arguably the most watched film of the year and the top choice at Cannes.

Adam Driver in the post-production studio of Annette

Thai director Apichatpong won the Palme d’Or a decade ago, and this year is the latest collaboration with Tilda Swinton"Memory."The film is currently in its later stages, and Jia Zhangke’s film company has also participated in the production of this film.

Tilda Swinton

In addition, the Palme d’Or director Nanni Moletti’s "Three Floors" and Lauren Guntai’s "Arthur Rambo" were also selected for the main competition.

Cannes "familiar faces" Naomi Kawase’s "Dawn is Coming", Dumont’s "It’s Half Clear This Morning", Ojung’s "85 Midsummer", Sophia Coppola’s "On the Rocks" and Paul Van Hoeven’s "Our Lady" are also pointing at Cannes.

Leia Saidu in "It’s Half Clear This Morning."

If the Cannes Film Festival is cancelled, what other new films will we miss?

I only hope that the epidemic can pass as soon as possible, as Fu Mao wished: "This year’s Cannes Film Festival will be the first international event to celebrate life, praise life, and regenerate."I also hope that all future film festivals can be held smoothly and continue to showcase more outstanding films to us.

Fan Bingbing herself and her team have yet to respond positively to the incident. But in any case, this incident has dealt a big blow to her image and career.

As a public figure, Fan Bingbing’s every move has attracted much attention. Her words, deeds, moral character and other aspects have been strictly scrutinized and evaluated. And this suspected tax incident has undoubtedly brought serious negative impact on her image and reputation.

In the entertainment industry, the tax issue of celebrities has always been a sensitive and important topic. As public figures, celebrities should abide by laws and regulations and perform their tax obligations honestly and faithfully.

However, in recent years, many celebrities have been exposed due to tax issues, which has aroused widespread social attention and discussion. These incidents have not only damaged the image and reputation of celebrities, but also aroused people’s attention and thinking about the tax supervision of the entertainment industry.

We should maintain an objective and rational attitude towards Fan Bingbing’s alleged tax issue. First of all, we should believe in the fairness and fairness of the law and that the relevant departments will handle the matter in accordance with the law.

Secondly, we should pay attention to the problems reflected behind this incident and think about how to strengthen the tax supervision of the entertainment industry and regulate the tax payment behavior of celebrities. Finally, we should also give Fan Bingbing a fair evaluation and trial, and not overguess and hype this matter.

Fan Bingbing, as an excellent actor and philanthropist, has brought many excellent works and touching stories to the audience.

Her talent and efforts deserve our recognition and respect. However, as a public figure, she should also be responsible for her words, deeds and actions, and abide by laws and regulations and social ethics.

I hope Fan Bingbing can take this incident seriously, actively cooperate with the relevant departments to investigate and deal with it, come out of the shadows as soon as possible, and continue to bring excellent works and positive energy to the audience.

In short, the news of Fan Bingbing’s suspected tax issue has aroused widespread concern and heated discussion. We should maintain an objective and rational attitude, believe in the fairness and fairness of the law, pay attention to the problems reflected behind the incident, and give Fan Bingbing a fair evaluation and trial. I hope this incident can attract more attention and thinking, and contribute to the healthy development of the entertainment industry and the progress of social morality.

As a high-profile public figure, Fan Bingbing’s every appearance and news has touched the hearts of countless people. However, as a public figure, she must also face more attention and scrutiny.

We hope that Fan Bingbing can learn from this and handle her affairs more cautiously, so as to be consistent with her words and deeds and abide by laws and regulations. At the same time, we also look forward to her continued use of her talents and influence to bring more excellent works and touching stories to the audience.

In the days to come, we believe that Fan Bingbing will go through a period of adjustment and reflection. But in any case, we hope that she can hold firm faith, move forward bravely, and continue to work hard for her dream and career.

After all, on the road of life, everyone will encounter setbacks and difficulties, and the key lies in how to face and overcome them. Let us look forward to Fan Bingbing’s performance and development in the future, cheer her on, and wish her to get out of the predicament as soon as possible and regain a more dazzling light.